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Taos Art School

LUCY LEWIS TRADITIONAL POTTERY MAKING

Dolores Lewis & Emma Lewis
Daughters of Lucy Lewis

Check our Schedule for dates
(Feel free to call for details)
Tuition: $565, Materials: $50,
Pueblo Tour: $10, Traditional Feast: $25.
Beginning to Advanced Class
limited to 15 participants

Class Schedule
| Notes on Schedule
Learn More about Lucy Lewis

Special Features! | Lodging | ACOMA Image
Student Comments from Previous Classes
Differences & Similarities

Lodging: The KACHINA LODGE in Taos & Acoma Lodging Sky City Hotel.
Call for special group rates: Prices starting at $79/night

"We consider our pots to have a life of their own."
~ Lucy Lewis

Image: Taos Art School Lucy Lewis Potter Making; click for larger image, Lucy Lewis, authentic, traditional, pottery making, clay, Lucy Lewis, workshop, southwest


Prices subject to change.

Image: Taos Art School Lucy Lewis Potter Making; click for larger image, Lucy Lewis, authentic, traditional, pottery making, clay, Lucy Lewis, workshop, southwestLucy Lewis is regarded as the matriarch of Acoma pottery and alongside Maria Martinez, is one of the best known Southwestern potters. She started making pottery around the turn of the century, continuing a tradition dating back hundreds, if not thousands of years.

      We are extraordinarily privileged to have two of Lucy's daughters lead us in this workshop. Both Dolores and Emma are dedicated to using the authentic processes and techniques that have been traditional to Acoma potters for centuries. They will lead us through each of the time honored steps necessary to the creation of authentic Acoma pottery. After demonstrating their methods, they will give us a lot of personal attention as we prepare the clay, tools, and paints, and then begin our traditional pottery making experience.

This experience is dedicated to the authentic processes and techniques that have been traditional to Puebloan Potters for Centuries. You will be led through each time-honored step necessary to create authentic pottery. Along the way we will share stories of the Ancestors, for these experiences are as much about Culture as they are about Clay. In these classes, you will:

• Work with Native Clay Bodies, dug by your teachers from the same clay pits used by Lucy Lewis.

• Hand form 2 small pots with the coil/slab method which are then highly burnished with a smooth  river stone and slipped with white kaolin.

• Create your very own ‘yucca brush’ from the rib of the Yucca plant, about 4 " long, with one end chewed to form a brush. This sounds primitive, but it is actually the most efficient way to paint a straight line on a curved surface.

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Image: Lucy Lewis
Lucy Lewis, ca. 1950

• Paint Traditional designs on your pots, using both mineral and vegetal paints you will learn to grind by hand, using a Metate.

• Fire your pots, with traditional open-pit firing, using either cow-dung or wood chips.

Participants in this class will take home some fine, small examples of this magnificent pottery, made with our own hands.

View a National Geographic Article: Pueblo Pottery, 1982

Feel free to Call us for more Information about this wonderful workshop.
We love to chat about our classes.

SPECIAL FEATURES!

Wednesday 10 AM: We will join Dolores and Emma for the Traditional Corn Dance and Feast of San Lorenzo at Santo Domingo Pueblo. This centuries old event, honoring the Corn Mother who feeds us all, features beautiful, costumed dancers, their feet bared for direct contact with Mother Earth.

Saturday 3:30 PM: We will enjoy a group tour of the breathtaking Acoma Pueblo known as Sky City. Acoma is the oldest continously inhabited city in the United States.

Saturday 6:00 PM: The Lewis Clan will prepare and join us for a traditional feast.

Note: Friends and family members of class participants, who are not attending the workshop, are welcome to join us for these events for a small additional fee. Advanced registrations is essential. Please call the office to arrange.

 


Acoma - Sky City


image: Acoma
The photo above is by Edward Curtis ca. 1890.
The Acoma women make the daily trip to the cistern of rain water.
To gather water for their families.
The pottery they made was essential for the survival of their families.
About Acoma - "Sky City"
More about Acoma at Wikipedia

CLASS SCHEDCULE FOR LUCY LEWIS POTTERY WORKSHOP ©
July 31 - Aug 7
Sun
Mon
Tue
Wed
Thur
Fri
Sat
Sun

Albuquerque
to Taos

Check in
& lodging
2 - 5 PM

5:30 - 6:30
Wine/
Cheese Reception

9 AM
class starts

Form 1st
Pot

PM
class
ends

Form

 

8:00 AM
leave for
Santo
Domingo Pueblo

10 - 3
CORN
DANCE

Burnish
& Slip

Paint

Paint

 

Pots Dry

Leave for Acoma

Lunch at Yaaka (corn) cafe

Guided Tour of ACOMA
Pueblo
(Sky City)

Traditional
Feast
at 6 PM

8 AM
Dung firing
at
Lewis valley home

Noon - Firing complete

PM –
no class

Kachina
Lodge,
Taos
Kachina
Lodge,
Taos
Kachina
Lodge,
Taos
Kachina
Lodge,
Taos
Kachina
Lodge,
Taos
Kachina
Lodge,
Taos
Acoma Lodging Sky City Hotel
Depart


NOTES ON SCHEDULE

Reception: An opening Wine/Cheese reception will be held at the Kachina Lodge.Your teachers will be in attendance, dressed in Traditional Dress, and introductions will be made. Family members and friends traveling with students are welcome to attend. Afterward, students may break up into groups, or travel as individuals to several nearby restaurants. There is a full service restaurant in the hotel for those who have had enough travel for one day !

Class times: Class will be from 9 - 5 each day with a lunch break to go to one of several nearby restaurants. Students also have the option to bring a snack/lunch to eat in the clay studio.

Wednesday: We leave early to join Dolores and Emma for the Traditional Corn Dance & Feast of San Lorenzo at Santo Domingo Pueblo. This centuries old event, honoring the Corn Mother who feeds us all, features beautiful, costumed dancers, their feet bared for direct contact with Mother Earth. This event will be seen continuously from 10 AM – around 3 PM since there are 2 Pueblo groups which alternate: Turquoise Group & Pumpkin Group. There are many booths with traditional food for sale, as well as art & craft items to purchase. Because Santo Domingo Pueblo is located near the ancient Cerrillos turquoise mines, the village people have a distinguished history of making fine jewelry and heishi. The Santo Domingo people are still great traders, very much like their Mesa Verde and Chaco Canyon ancestors. Many roadside stands with jewelry, pottery and silverwork for sale can be found during a visit to this pueblo. Look for these special items and others during the Festivals. NOTE: Photography is not permitted at this sacred event. Also, Both Men & Women are requested not to wear shorts. Bring a Hat.

Saturday : Our pots will dry overnight on Friday. In the morning we head for Acoma in individual cars and will need an early start for the 5 hour drive.  There is an optional lunch at the Yaaka (corn) café at Acoma before our 3:30 pueblo tour. We check into our Casino accommodations at 5 PM and get ready for the 6 PM Traditional Feast
About Acoma - "Sky City"
More about Acoma at Wikipedia

Drive Times
The Santo Domingo Pueblo is located 25 miles south of Santa Fe, off I-25 at the Santo Domingo exit. The drive is approximately 2 hours South of Taos, and, one half an hour SW of Santa Fe.
Our final day students will need to drive in their own vehicles from Taos to Acoma, approximately 5 hours south-west.

Final Day (Sunday): Our traditional Dung Firing will take place early in the morning at the Lewis home, located in the valley beneath the 367’ mesa.  Participants may leave with their pots around noon.  It is about a 2 hour drive to the Albuquerque airport, so a 3 PM flight is the earliest possible.

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Learn More About Lucy Lewis

AMERICAN INDIAN POTTER
Lucy M. Lewis
by Susan Peterson


The Acoma pueblo is the oldest continuously inhabited settlement in North America. This Indian community, which probably dates back over a millennium, was home to one of America's most talented and innovative potters-Lucy M Lewis (d. 1992). Born around the turn of the century, Lewis rose from humble origins to become one of the most important craftsperson's of this century. As mother, matriarch, and artist, she created a monumental statement of her society. She absorbed the work of her Indian ancestors, and from their ancient designs fashioned a modern sensibility that brought Indian pottery into the twentieth century.

She began making pots at an early age, teaching herself from shards she had found around her home. With age, practice, and a keen eye came perfection, and eventually admirers. Her pieces are now in the collections of prominent museums in New York, Washington, D.C., and Los Angeles, as well as throughout the Southwest.

Susan Peterson's intimate biography is a major accomplishment. It captures the essence of this inspirational women with candor and affection. Over 220 color plates (and 120 black-and-white photos) convey the life and work of Lucy and her family. Lucy M. Lewis: American Indian Potter not only offers insights into the sources and milieu of Lewis' vast talent, but documents the achievements of one of America's greatest native craftswomen.

For Further Reading about
The Lucy Lewis Family:

  • Generations in Clay: Pueblo Pottery of the American Southwest, by Alfred E. Dittert, Jr., Fred Plog
  • ACOMA: Pueblo in the Sky, by Ward Alan Minge
  • Acoma & Laguna Pottery, by Rick Dillingham
  • ACOMA: People of the White Rock, by H.L. James
  • Women Artists: Works from the National Museum of Women in the Arts

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Daughters of the Anasazi: Lucy Lewis, Emma Lewis Mitchell, Delores Lewis Garcia
Produced and Directed by John Anthony


Length: 28 minutes.VHS tape available used on Amazon.com. Or you can get the DVD at http://www.amaco.com/shop/product-316-daughters-of-the-anasazi.html

More and more I find myself drawn to ceramic videos dealing with historical subjects or traditional ways of working. This well-produced video is one of those, focusing on the work of Lucy Lewis and her daughters Emma Lewis Mitchell and Delores Lewis Garcia, Acoma pueblo potters. As they carry on the pottery traditions of the Anasazi Indians, who inhabited the Chaco Canyon region of New Mexico until 1300 AD, we see the painstaking production of their ceramic vessels and hear the rationale for their methods.

Clay is dug from the hills, carried home, and stone ground by hand. Centuries-old Anasazi pot shards are pounded to bits for grog, literally incorporating the old into the new. Pinch and coil methods are used for construction; everything is slipped and burnished preparatory to painting, and then the pots are decorated.
Paints are produced from hand-selected and ground rocks, mixed with water and a binder made of wild spinach juice and the Rocky Mountain bee plant. Brushes come from the yucca plant (well chewed for added softness). These traditional methods of production give the pots their spirit, it is said. The painting is elaborate, intricate and beautiful, using symbols referring to "Mother Nature", and designs both traditional and individual. Then the pots are fired in cow dung, cleaned, and sold. It's like "giving away one's babies," we are told by one of the artists.

A very interesting film recommended for both potters and non-potters.

Reviewed by Richard Aerni. Studio Potter Network Newsletter, Autumn, 1992.

Lodging:
Housing: The KACHINA LODGE in Taos

Call for special group rates: Prices starting at $79/night
(575) 758-2275 - http://kachinalodge.com/
http://www.hotel-rates.com/us/new-mexico/taos/best-western-kachina-lodge.html
Class Location:
This class will be held at the Kachina Lodge in Taos. Students are invited to also arrange lodging here and stay with your teacher and fellow classmates.

Saturday night lodging will be at the Acoma Lodging Sky City Hotel and arrangements for staying at this hotel should be made by the students. http://www.skycity.com/alpha.html

TAOS ART SCHOOL
P.O. BOX 2588, TAOS, NEW MEXICO, 87571
(575) 758-0350
http://taosartschool.org

 

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